Larry Ellison Steps In to Backstop Paramount’s $108bn Bid for Warner Bros Discovery

The battle for control of Hollywood’s shrinking media empires took a dramatic turn this week after Larry Ellison agreed to personally guarantee $40bn of equity financing underpinning Paramount Global’s $108bn hostile bid for Warner Bros. Discovery.
The intervention by Ellison — one of the world’s wealthiest technology founders — is an extraordinary move even by the standards of today’s dealmaking. It underscores both the scale of scepticism surrounding Paramount’s financing plan and the growing role of billionaire backers in determining the future shape of the global media industry.
Paramount confirmed on Monday that Ellison had provided an “irrevocable personal guarantee” for the equity portion of the financing, an attempt to silence concerns among investors and lenders that the offer lacked credible funding.
A bid under pressure
Paramount’s approach to Warner Bros Discovery has been controversial from the outset. The proposed transaction would leapfrog the company ahead of rivals in scale, vaulting it into the top tier of global media groups alongside Netflix and Disney.
Yet the size of the deal — and the balance sheet strain it would impose — has unsettled markets. Warner Bros Discovery already carries significant debt following its own merger, while Paramount’s legacy television assets face structural decline as advertising revenues migrate online.
Ellison’s personal backstop is designed to address the most immediate concern: whether Paramount could realistically raise $40bn in equity without crippling dilution or destabilising its share price.
“This is not a normal guarantee,” said one banker familiar with the situation. “It is a signal that if the market won’t fund the deal, Larry Ellison will.”
A billionaire family affair
The bid is being spearheaded by David Ellison, Larry Ellison’s son and the founder of Skydance Media, which has longstanding production partnerships with Paramount. For David Ellison, the deal represents a once-in-a-generation opportunity to assemble a media empire at a moment when legacy assets are trading at distressed valuations.
For Larry Ellison, the move is consistent with a pattern of using personal wealth to exert strategic influence well beyond Oracle. His involvement blurs the line between financial backer and kingmaker, raising questions about governance, control and the concentration of power in the media sector.
As European Business Magazine has explored in its coverage of
billionaire-backed dealmaking, private wealth is increasingly stepping in where public markets hesitate — particularly in capital-intensive, structurally challenged industries.
Why Warner Bros Discovery matters
Warner Bros Discovery remains one of the most coveted — and complicated — assets in global media. Its portfolio includes HBO, Warner Bros Studios and a deep library of intellectual property, but it is weighed down by debt and the high costs of competing in streaming.
For Paramount, acquiring WBD would offer scale, content breadth and negotiating leverage with distributors and advertisers. It would also intensify competition with Netflix, which has thus far avoided large, debt-heavy acquisitions in favour of organic growth.
Yet critics argue the combination risks creating a larger but still vulnerable group, exposed to the same secular pressures that have eroded the value of traditional media companies.
Those concerns reflect what EBM has analysed as
the limits of streaming industry consolidation, where scale alone no longer guarantees profitability.
Market reaction and investor unease
Despite Ellison’s intervention, markets remain cautious. Paramount shares have been volatile, reflecting uncertainty over valuation, integration risk and the long-term economics of streaming.
Bondholders are watching closely. Any deterioration in credit metrics could push borrowing costs higher, undermining the logic of the transaction. Meanwhile, Warner Bros Discovery investors face the prospect of either a premium takeout or prolonged uncertainty if the bid falters.
“This is a deal that only works if everything goes right,” said one US media analyst. “Ellison’s guarantee reduces the financing risk, but it doesn’t eliminate the strategic risk.”
A broader media reckoning
The attempted takeover highlights a deeper reckoning underway in global media. Advertising-supported television is in structural decline. Streaming growth is slowing. Content costs remain high. Yet the industry is awash with legacy brands whose market values no longer reflect their cultural significance.
In that context, billionaire-backed bids are becoming more common. Private capital can tolerate lower short-term returns, longer payback periods and higher risk — luxuries public shareholders rarely enjoy.
As EBM has reported in its analysis of the media industry valuation reset, the gap between private ambition and public market scepticism is widening.
Governance and control questions
Ellison’s personal guarantee also raises governance questions. While Paramount insists the arrangement does not alter control structures, the reality is that financial backstops often translate into influence.
Regulators may scrutinise the deal closely, particularly given its impact on competition, content ownership and market concentration. Any perception that the transaction consolidates excessive power — financial or editorial — could complicate approvals.
There is also the question of succession. Larry Ellison is 80, and while his wealth offers immense flexibility, markets will want clarity on long-term ownership and strategy should the deal proceed.
The Netflix comparison
Paramount’s ambition contrasts sharply with Netflix’s strategy. Rather than pursuing mega-mergers, Netflix has focused on profitability, disciplined content spending and international expansion.
That divergence underscores a central tension in the industry: whether scale through acquisition remains viable, or whether the future belongs to leaner platforms with global reach and fewer legacy constraints.
A high-stakes gamble
Ellison’s guarantee may yet prove decisive. It could stabilise financing, reassure counterparties and push Paramount’s bid across the line. But it also underscores how fragile the economics of large-scale media consolidation have become.
This is not a vote of confidence from markets; it is a vote of confidence from one individual.
But it also serves as a reminder that the future of global media is increasingly being shaped not by shareholders or broadcasters, but by a small group of ultra-wealthy patrons willing — and able — to write very large cheques.
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